It is now almost
three years since I wrote a short account of Helen Bradley's life and
work, for her excellent and successful Christmas Exhibition in Oldham.
Since then she has continued to amaze me with her skill and enthusiasm
which is so obviously reflected in the two large and remarkable paintings
in this exhibition.
I think it is now
fairly well known that Helen Bradley was born in Lees, a village now within
the Oldham boundary. Whilst still young she had a little training in jewelry
and embroidery at the local School of Art but did not start to paint until
the age of 65. In the few years since then she has become one of Britain's
best known and best loved artists, and her admirers continue to grow both
at home and overseas. Millions have seen her on television where her optimistic
charm and enthusiasm shine on the screen as well as in her painting and
writing.
Many unusual interests
are woven into her work - a love of early Moghul pictures, the Dutch Masters,
and works of Chinese painting, plus one of her special ingredients - the
recollection of atmosphere and event.
For all the apparent
simplicity of her work many of Helen Bradley's special talents are revealed
in this present exhibition. Her accomplished and masterly use of colour,
her skill in manipulating compositions on widely different scales, and
her ability to fill her paintings with events which show something almost
rare, both an affirmation of life and an unusually humorous vision.
Yet there are deeper
layers and enigmas in her work. In some of her paintings God himself appears
and is content to be a natural element in the painting, giving a timeless
quality to the work. Yet Helen Bradley does have a talent reserved perhaps
for some special people as a gift - the ability to repeatedly create and
share joy, perhaps her most precious possession. How does she do it?
Remember from one
of her books - "In the beginning, said Great Aunt Jane, God lived in the
void - and he was very young."
John Stafford.
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